He was eventually promoted to the head of his department. One of his most notable paintings, Children Playing With Fire, was painted in during the time of Mexican revolt. This piece shows two people being burned by a fire they created to symbolize the people of Mexico being hurt by their own decisions. Between the years of and , Tamayo produced a number of graphic art pieces that consisted of etchings, lithographs, woodcuts, and Mixografia prints.
Mixografia was the name given to an art technique created by Tamayo and a fellow Mexican painter that combined prints with three-dimensional textures. This was a place where artists could use their paintings and other artworks to express their feelings about the Mexican Revolutionary War and other issues concerning the Mexican government.
Throughout his career, he also became known for painting murals and images of women. He created a number of paintings that portrayed images of his wife Olga, including the Rufino and Olga piece that he painted in In Lion and Horse , Tamayo used pre-Columbian ceramics.
Tamayo was proud of his Mexican culture because his culture nourished him and, by traveling to other countries, his love for Mexico became greater. Tamayo's acute awareness of the disregard shown Mexican artists influenced him profoundly.
For example, according to Jose Carlos Ramirez, "Tamayo's work did not have much value". Many people doubted that Mexican artists could actually create art. In a exhibition, 39 of Tamayo's works were displayed at the Weyhe Gallery in New York just a month after his arrival into the United States.
The artist's sojourn in New York dramatically increased his recognition not only in the United States but in Mexico and other countries also. Tamayo's method situates his composition as the focal point instead of emphasizing the subject alone. By doing so, one looks at the painting as a whole. Tamayo favored using few colors rather than many; he asserted that fewer colors in a painting gave the art greater force and meaning.
In this painting, Tamayo employs pure colors such as red and purple; his restraint in the choice of color here confirms his belief that fewer colors, far from limiting the painting, actually enlarge the composition's possibilities.
By being pure or, as Paz explained, sober with his color choice, Tamayo's paintings were enriched, not impoverished. Rufino Tamayo, along with other muralists such as Rivera, Orozco, and Siqueiros, represented the twentieth century in their native country of Mexico. After the Mexican Revolution, Tamayo devoted himself to creating a distinct identity in his work. He disagreed with these muralists in their belief that the revolution was necessary for the future of Mexico but considered, instead, that the revolution would harm Mexico.
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Rufino Tamayo Mexican, — Biography Rufino Tamayo was a Mexican painter and printmaker known for his large-scale murals and vivid use of color. Influenced by his pre-Columbian heritage as well as Cubism and Surrealism, Tamayo portrayed vernacular subjects like watermelons and animals in a unique formal vocabulary. He moved to New York in the s after having a falling out with the politically driven Rivera and Siqueiros in his home county. The artist continued to produce some of his most compelling works including Moon and Sun right up until his death on June 24, in Mexico City, Mexico at the age of Rufino Tamayo 5, results.
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